Film
Glass Onion: A Knives Out Mystery
Rian Johnson's sequel-of-sorts trades the gothic mansion for a Greek island and a tech billionaire's disaster of a vanity project, then lets Daniel Craig's Benoit Blanc pick through a cast of influencers, sycophants and one very angry genius. It's brighter, meaner about the rich, and more interested in structure-as-punchline than the first film. Pure pleasure if you like your mysteries clever and your satire loud.
If you liked this
Knives Out2019
Blanc's first outing, tighter and warmer, with a whodunit engine so well-built you'll want to watch it twice just to admire the joints.
But You've already seen it, obviously, and going backwards can feel like homework.

Murder on the Orient Express2017
Branagh's lavish, star-stuffed Christie adaptation gives you the moustache, the snowbound train, and a parade of suspects each hiding something delicious.
But It plays the genre straight rather than winking at it, so the comedy you loved here is mostly absent.

Clue1985
A gloriously silly board-game adaptation with rapid-fire farce, six endings depending on the cinema, and a cast having far too much fun.
But It's broader and dumber on purpose — if you wanted wit over slapstick, this leans the wrong way.

The wildcard
Something you would not have found on your own.
And Then There Were None1945
Glass Onion's island setting and vanishing-guest structure are a direct descendant of this — the black-and-white grandparent of the entire trapped-together-with-a-killer formula.
The original isolated-island body-count mystery, adapted from Christie herself, sly and stylish long before country-house whodunits became a genre unto themselves.
But Black-and-white pacing and 1940s manners will feel slow next to Johnson's zippy editing.

More like this (7)
The Nice Guys2016
Shane Black's buddy noir has the same delight in a plot that keeps folding back on itself, plus terrific comic chemistry between its leads.
But It's grubbier, more violent, and 70s LA sleaze rather than Aegean glamour — different flavour of fun.

Death on the Nile2022
Another sun-drenched, all-star Christie puzzle box, this one steeped in old-money jealousy and a genuinely tragic core.
But Slower and more melodramatic, with less of the satirical bite you might be craving after Glass Onion.

A Simple Favor2018
A twisty, campy thriller about toxic friendship and secrets that swerves tone as gleefully as Johnson does, with Blake Lively at her most delicious.
But It gets nastier and more melodramatic than a cosy whodunit, closer to trash than to elegance.

Gosford Park2001
Robert Altman's country-house ensemble is the sophisticated ancestor of this whole genre — overlapping dialogue, class warfare, a murder almost beside the point.
But It's slow-burn and talky where you want propulsion; the mystery is secondary to the social observation.

See How They Run2022no page yet
A cheeky meta-whodunit set backstage at a West End Agatha Christie production, with Saoirse Ronan stealing every scene she's in.
But Lighter and slighter than Glass Onion, more of a pleasant diversion than a fully satisfying puzzle.
Kiss Kiss Bang Bang2005
Shane Black again, this time with Robert Downey Jr. narrating a noir so self-aware it practically winks at the camera every scene.
But Its jokes are sharper than its plotting; if you want a clean solvable mystery, this isn't quite that.

Serial Experiments Lain1998
Glass Onion is a comedy about the pleasure of untangling a puzzle; Serial is the sobering real-world version, where that same detective urge has genuine human cost.
The true-crime podcast that reinvented amateur detection for the internet age, unpicking a real murder case with the same obsessive, layer-by-layer curiosity Blanc brings to fiction.
But There's no tidy resolution, no wit, no reassurance — just the discomfort of an actual unsolved life.

People
Cast
Daniel CraigBenoit Blanc
Edward NortonMiles Bron
Janelle MonáeAndi Brand
Kathryn HahnClaire Debella
Leslie Odom Jr.Lionel Toussaint
Kate HudsonBirdie Jay
Dave BautistaDuke Cody
Madelyn ClineWhiskey
Noah SeganDerol
Dallas RobertsDevon Debella
Directing
- Rian JohnsonDirector
- Josh RobertsonFirst Assistant Director
- Edward DormanScript Supervisor
- Sue FieldScript Supervisor
- David KeadellSecond Assistant Director
- Danni LizaitisSecond Second Assistant Director
- Manos GasteratosSecond Second Assistant Director
- Bruce Wayne GilliesSecond Unit First Assistant Director
Writing
- Rian JohnsonWriter
Production
- Terri DouglasADR Voice Casting
- Milan MaksimovićAssistant Location Manager
- Teta ApostolakiAssistant Location Manager
- Lilena MarinouAssistant Production Coordinator
- Mika TourkakiAssistant Production Coordinator
- Bret HoweCasting
- Mary VernieuCasting
- Skyler ZurnCasting Assistant
- Benjamin BermudezCasting Associate
- Nenad PavlovićCasting Director
- Leopold HughesCo-Producer
- Nikos KaramigiosCo-Producer
- Tom KarnowskiExecutive Producer
- Emmanouela ZacharopoulouExtras Casting
- Anastasia FlokatoulaExtras Casting Assistant
- Yorgos KorakianitisExtras Casting Assistant
- Pamela Scott-FarrFinishing Producer
- Aggelos KemavorLocation Assistant
- Nikodimos MargonisLocation Assistant
- Vangelis SapatisLocation Assistant
- Yiannis SavidisLocation Assistant
- Nikos SfakianakisLocation Coordinator
- DJ CampbellLocation Manager
- Stefanos KoutsardakisLocation Manager
- Elena NuñezPost Production Coordinator
- Ram BergmanProducer
- Rian JohnsonProducer
- Tatiana GeroulanouProduction Assistant
- Dasa KodemoProduction Coordinator
- Christos KoutlasProduction Driver
- Vassilis SiliogasProduction Driver
- Dimitris BirbilisProduction Manager
- Ana BiskupljaninProduction Supervisor
- Andrew NadkarniProduction Supervisor
- Johanna L. WilliamsProduction Supervisor
- Ravi DubeUnit Manager
- Aleksandar TadićUnit Production Manager
- Elena ZokasUnit Production Manager
- Ram BergmanUnit Production Manager
- Tom KarnowskiUnit Production Manager
Recommended by
Murder on the Orient Express, Triangle of Sadness, The Last of Sheila, Death on the Nile