Film
Felix the Cat: The Movie
A 1988 animated adventure where Felix the Cat ventures into another dimension to rescue Princess Oriana from the villainous Duke of Zill and his mechanical army. It's a candy-colored, earnest fantasy romp with the charm of old cartoon logic—simple, kinetic, unashamed of being made for children. Perfect for nostalgic adults or anyone who loves animation from animation's golden age.
If you liked this
Cinderella1950
Disney's definitive fairy-tale template: gorgeous hand-drawn animation, genuine warmth, a heroine who deserves saving, and villains so entertaining you almost want them to win. The animation alone justifies a watch.
But If you need moral complexity or subversion, a 1950 princess story plays it absolutely straight. The pacing is leisurely by modern standards.

The Secret of NIMH1982
A darker, more sophisticated animated adventure with stunning backgrounds and a fiercely determined heroine. It shares Felix's willingness to be visually strange and morally uncomplicated—good versus evil, beautifully drawn.
But The animation has a grainier, less polished feel than Disney, and the plot involves lab experiments on animals that some find genuinely unsettling.

ThunderCats1985
Pure Saturday-morning alchemy: exiles from a doomed planet, laser swords, a villain who actually schemes, and animation that's jerky but endearingly earnest. The same spirit of scrappy adventure.
But It's repetitive by design—each episode follows a formula. The voice acting is enthusiastically amateur. You need to want that specific thing it's doing.

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The wildcard
Something you would not have found on your own.
Heavy Metal1981
Both are 1980s animated features that trusted audiences to accept visual weirdness and genre mixing without irony. Felix asks 'what if we mixed fairy tales with mechanics?'; Heavy Metal asks 'what if we mixed every genre at once?' Same generosity, opposite directions.
An animated anthology where different animation styles tell wild, violent, erotic sci-fi stories. It shares Felix's willingness to be visually experimental and utterly unpretentious, but inverts every single register—where Felix is innocent, this is anarchic and adult.
But It's graphically violent and sexual in ways that will shock if you're expecting cartoons to be wholesome. The stories are thin and the tone lurches constantly. Some segments are genuinely bad.

More like this (8)
DuckTales2017
Disney's answer to action-adventure cartoons: adventure archaeology, a billionaire duck uncle, a gang of nephews, and genuine stakes. Every episode moves like it has somewhere to be.
But Some episodes are stronger than others, and the show's 100-episode run asks patience if you're bingeing. The humor occasionally talks down to the audience.

He-Man and the Masters of the Universe1983
Toy-commercial origins aside, it's absurdly entertaining—absurd sci-fi fantasy, an actually interesting hero whose real form is powerless, and Skeletor, who is phenomenally funny without trying to be.
But It's genuinely cheap-looking animation, even for 1983. The morals feel bolted on. You must accept that this is a cartoon selling toys and enjoy it anyway.

The Last Unicorn1982
A melancholy, strange animated fantasy where a unicorn searches for her kind. It's literary and sad in ways that sneak up on you. The animation is exquisite and peculiar.
But It's slower and more contemplative than Felix—this is a sad movie. If you want action and jokes, you'll find long passages of lonely searching instead.

Blackstar1981
A forgotten gem: a warrior exiled on an alien planet, magic and science mixed carelessly, genuinely odd design work. It's weird enough to feel like you've uncovered something.
But It looks even cheaper than its contemporaries, and the plots are thin. You're watching this for atmosphere and oddness, not storytelling.

Dragon's Lair
A feature-length interactive-style animated adventure in that specific 1980s computer-animation way. It's technically audacious and has a gonzo energy. Sometimes strange is enough.
But The story is paper-thin. The animation, though novel, looks dated now in ways that hand-drawn animation doesn't. It's more interesting as a artifact than as entertainment.
Care Bears Movie II: A New Generation1986
Peak 1980s animation earnestness—a toy commercial that commits fully to sentiment and musical numbers. If you loved Felix's sincerity and want more pastel-colored good-versus-evil adventure, this delivers exactly that.
But It's aggressively cute and the cynicism of the grown-up world has probably moved you past this. The songs are not good. You have to genuinely like Care Bears.

Tron1982
Both feature a hero entering a vivid alternate dimension to battle a despot with an army of geometric mechanical soldiers. But Tron is a philosophical film noir inside a computer; Felix is a children's adventure. Same skeleton, opposite souls.
A live-action film that ventures into a digital fantasy dimension where a protagonist must defeat an evil entity controlling an army of identical geometric soldiers. The visual language is completely different—computer animation, not hand-drawn—but the DNA is identical.
But It's slow and meditative, not comedic or warm. The computer animation is beautiful but looks ancient now. If you want plot-driven adventure, you'll be frustrated by its love of neon tableaus.

Fantastic Planet1973
Both are animated films that refuse to make things look 'normal.' Both invent visual languages instead of borrowing them. But Fantastic Planet is a fever dream about liberation; Felix is pure adventure joy. They're opposites in tone but twins in visual audacity.
A Czech animated film about an enslaved people rising against their giant, casual oppressors on an alien world. The animation is hand-drawn and profoundly strange—nothing looks like Felix, but it has the same fearless weirdness about mixing genres and ignoring realism.
But It's from 1973 and slow by any standard. It's also genuinely political and difficult—this is science fiction with teeth, not adventure. The animation style is alienating (intentionally). It's fundamentally a sad movie about exploitation.

People
Cast
Chris PhillipsThe Professor / Grumper (voice)
Marbry StewardPrincess Oriana (voice)
Peter NewmanThe Duke of Zill / Wack Lizardi (voice)
Alice PlaytenMadam Pearl / Poindexter (voice)- Susan Montanaro(voice)
- Don OrioloCreature (voice)
- Christian Schneider(voice)
- David KolinFelix the Cat (voice)
- Michael Fremer(voice)
Directing
- Tibor HernádiDirector
Writing
- Don OrioloScreenplay
- Pete BrownScreenplay
- Don OrioloStory
Production
- József BujtárExecutive Producer
- Christian SchneiderProducer
- Don OrioloProducer
- Janos SchenkProducer
- Gábor MorvayProduction Manager
- Péter KardosProduction Manager