Film
Election Day
- Comedy
- Light-hearted
A Turkish comedy about a man training to be a ballot box officer who reconnects with an old friend and starts questioning his life choices. Warm, character-driven, and funny in the way that comes from recognizing yourself in someone else's mess. It's the kind of film that understands that elections—personal or political—are really about deciding who you want to be.
If you liked this
Before Sunrise1995
Two strangers spend one night talking about love, regret, and possibility. Like Election Day, it finds comedy and depth in everyday conversation and the sudden clarity that comes from encountering someone from your past.
But It's ninety minutes of almost nothing but dialogue. If you need plot momentum or dramatic incident, this will feel static.
About Schmidt2002
A retired man takes a road trip and grapples with who he's become and what he's missed. The same DNA as Election Day: gentle, funny, and unsparing about self-delusion.
But Jack Nicholson's character is deeply unlikeable for long stretches. The humor comes from his smallness, which some find uncomfortable rather than funny.
The Worst Person in the World2021
A woman in her thirties confronts her inability to commit, her friendships, and her future. Norwegian but universal—the same wry, affectionate tone about people stuck between who they were and who they want to be.
But Deliberately plotless. It meanders by design. If you want clear story beats, you'll be frustrated.
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The wildcard
Something you would not have found on your own.
The Celebration1998
Both are comedies built on the collision between old friends and hard truths about who you actually are versus who you pretend to be. Neither lets sentiment soften the impact.
A Danish family reunion erupts when one member reveals a decades-old secret. Shot in handheld video, it feels like overhearing something real. Like Election Day, it finds black comedy in ordinary people confronting what they've been avoiding.
But Shot on DV video in 1998—grainy and deliberately ugly. The tone is brutal and unsentimental in ways that can feel cruel.
More like this (7)
Hunt for the Wilderpeople2016
A gruff old man and a foster kid on the run develop an unexpected connection. Funny, tender, and genuinely interested in how people change each other.
But New Zealand comedy-adventure. The tone shifts between whimsy and pathos, which doesn't work for everyone.
Synecdoche, New York2008
A theater director's life collapses and rebuilds through work and obsession. Dense with ideas about authenticity and self-deception, told with comedic precision.
But Deliberately confusing and layered. It requires active attention and rewards rewatching. Some call it brilliant; others call it pretentious.
Moonlight2016
Three moments in a man's life as he grows up, makes choices, and carries regret. Quiet, powerful, and unafraid of stillness. The same emotional architecture as Election Day.
But No plot in the traditional sense. Very slow. Some find it mournful rather than moving.
The Florida Project2017
Children in a motel near Disneyland navigate poverty and displacement with resilience and humor. Finds joy and comedy in unlikely places, just as Election Day does.
But Difficult subject matter. The ending is heartbreaking. Not a feel-good film despite its warmth.
Petite Maman2021
A girl meets her mother as a child and they become friends. A magical realist fable about understanding the people we become and the choices we make.
But Only 72 minutes and very gentle. Those wanting substance or complexity may find it slight.
Coffee and Cigarettes2004
Election Day is twenty minutes of one conversation reframing someone's life. This is a feature-length meditation on the same idea—that sitting with people and talking matters more than anything that happens.
Jim Jarmusch strings together conversations between various people over coffee and cigarettes. Hypnotic, funny in unexpected ways, and completely uninterested in plot. Pure character and connection.
But Eleven vignettes in black and white with no narrative throughline. Some are brilliant; some feel like watching someone's notebook. Very slow cinema.
The Farewell2019
Both are about elections—small, personal ones made in moments. Both understand that decisions about how to treat each other matter more than outcomes. Both are funny because the characters are trying so hard.
A Chinese-American family decides not to tell their grandmother she's dying and gathers under a false pretense. Comedy and tragedy wound so tightly you can't separate them. Warm, funny, and about how we decide who to be in crisis.
But It's a film about a family keeping a secret that the audience knows. The tension comes from watching people lie, which can feel claustrophobic.
People
Cast
Directing
- Silva DeliogluAssistant Director
- Deniz CengizDirector
- Yiğit İlkkutluSecond Assistant Director
Writing
- Deniz CengizWriter
Production
- Çağrı YenenAssociate Producer
- Ezgi MolaAssociate Producer
- Ümit KorkmazAssociate Producer
- Barış DemirdelenCo-Producer
- Deniz CengizProducer
- Rana Ekin NergizProducer