Film

Bushwhacked

A hapless courier on the run from criminals and cops goes undercover as a Boy Scout leader, dragging a troop into the wilderness. It's a scrappy 90s action-comedy that doesn't quite land its jokes but commits fully to its absurdity. For people who love Daniel Stern's hangdog earnestness and don't mind sitting through something genuinely weird.

TMDb rating2.7

If you liked this

Home Alone1990

Daniel Stern in a role that actually fits him: the bumbling, well-meaning everyman caught in chaos. It's got the same 90s family-film energy and physical comedy DNA.

But Everyone's already seen it a hundred times. The jokes don't land the same way after childhood.

Home Alone poster

Three O'Clock High1987

A scrappy teen comedy where an ordinary kid gets caught in an escalating situation that spirals completely out of control. Same vibe of the world getting weirder by the minute.

But Deeply of its era, which you'll either find charming or dated depending on your mood.

Three O'Clock High poster

Troop Beverly Hills1989

Shelley Long leads Girl Scouts into absurdity. It's got that exact tone—earnest adult trying to survive a wilderness adventure with kids, played for both laughs and genuine heart.

But The 80s aesthetic hasn't aged gracefully, and the humor is broad.

Troop Beverly Hills poster

Not sure tonight? Get a pick in a minute, starting from Bushwhacked

The wildcard

Something you would not have found on your own.

Moonwalker1988

Both feature an ordinary man protecting children while fleeing from faceless pursuers; both are bizarre 90s artifacts that seem to exist in their own logic.

Michael Jackson as a cartoon-adjacent figure pursued across the globe by faceless bad guys, protects kids along the way, the whole thing is surreal and operates by dream logic. Like Bushwhacked if it had committed fully to being completely unhinged.

But A feature-length Michael Jackson video, which sounds good until you realize 45 minutes of it is music. Wildly uneven pacing.

Moonwalker poster
More like this (7)

National Lampoon's Vacation1983

Chevy Chase as the well-meaning guy whose plan catastrophically unravels. That same DNA of incompetence spiraling into chaos, with genuine pathos underneath.

But You need to be in the right headspace for that brand of cringe humor.

National Lampoon's Vacation poster

Police Academy1984

The same energy: a misfit protagonist, bumbling authority figures, physical comedy, and the whole thing held together by pure chaotic momentum rather than logic.

But It trades on impressions and gags that feel ancient now. Very broad.

Police Academy poster

The Scout1994

Albert Brooks as a baseball scout in way over his head. Another 90s comedy about a regular guy trapped in a situation spiraling toward disaster.

But Unevenly paced, and the premise wears thin before it's over.

The Scout poster

Spies Like Us1985

Chevy Chase and Dan Aykroyd as bumbling agents thrust into spy situations. That same chaotic competence-free vibe.

But Relies heavily on 80s Cold War references you might not care about.

Spies Like Us poster

Armed and Innocent1994

A mistaken-identity comedy with similar DNA: ordinary person caught between criminals and law enforcement, forced to improvise his way through escalating absurdity.

But Direct-to-video energy; production values show it. Not easy to find.

Armed and Innocent poster

Wet Hot American Summer2001

Both center on the collision between adult authority figures and kid chaos in a wilderness setting, but Wet Hot plays it as high-concept absurdism rather than sincere action-comedy.

Camp chaos with an ensemble cast all committed to the bit. It's absurdist, self-aware, and understands that comedy about misfit groups in the wilderness can be genuinely funny when everyone's on the same wavelength.

But Very reference-heavy. If you're not into that particular brand of comedy, it's exhausting.

Wet Hot American Summer poster

The Blue Lagoon1980

Both pit inexperienced people against the wilderness, but where Bushwhacked is frantic and comedic, this is contemplative and serious—different registers of the same premise.

Teenagers abandoned in wilderness. Survival, coming-of-age, genuine danger. Shot beautifully, genuinely gripping, zero irony. Proof that you can make wilderness adventure for all ages without winking at the camera.

But Slow-burn naturalism will feel glacial if you want plot momentum. Skews toward the sensual in ways that might feel uncomfortable.

The Blue Lagoon poster

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