Michael

Michael appears as one of the many faces passing through New New York in the 31st century, a minor presence in the sprawling world of Futurama rather than a recurring fixture. He turns up, does what the scene requires, and moves on, leaving little more than a name and a voice behind.

Phil LaMarr's gift for character voices means even a small role like this gets a distinct texture rather than filler line-reading. Futurama's background is stuffed with one-off oddballs who exist for a single joke, and LaMarr's versatility is part of why those throwaway moments still land with personality.